Miriam Cahn | Ciò che mi guarda | MACRO – Museo d’Arte Contemporanea di Roma
First major Italian retrospective of Miriam Cahn at MACRO, featuring 100+ works exploring the female body, war, and eroticism as resistance.
Your guide to galleries, museums, and foundations — updated continuously
First major Italian retrospective of Miriam Cahn at MACRO, featuring 100+ works exploring the female body, war, and eroticism as resistance.
Winners of the 3rd Paul Thorel Prize explore imperfection as resistance to computational perfection through artisanal techniques and organic materials.
Isaac Soh Fujita Howell presents six paintings tracing a genealogy of invented cybernetics, exploring the paradox of sophisticated systems of transmission that fail to guarantee clarity or presence.
A solo exhibition by Elisa Montessori at Monitor, presenting a wide selection of recent works, artist books, drawings and found materials in the gallery’s San Lorenzo space.
Exhibition conceived as a parody of a beauty salon
Arctic-inspired paintings, drawings and intimate works from the Lofoten archipelago. A wunderkammer guiding visitors through Henriksen's creative process.
Group exhibition curated by Gaia Bobò exploring the legacy and contemporary resonances of magical realism through a new generation of artists.
First Italian solo show of British painter Imogen Allen, featuring paintings exploring butterfly wings and nature through vivid colours and macroscopic detail.
Group exhibition exploring matter as primary generative element, curated by Benedetta Carpi De Resmini.
A solo exhibition exploring forms emerging from remains, through ceramic spheres and sculptural works that navigate the tension between past heritage and present transformation.
Group exhibition at Ex Elettrofonica featuring new works by Sergio Breviario, Agostino Iacurci, Elena Mazzi, Julie Polidoro and Guendalina Salini, engaging with the time-honoured motif of the folding screen.
New exhibition featuring monumental bronze sculpture, paintings, and works on paper
Francesca Woodman exhibition at Gagosian Rome features nearly fifty photographs exploring the artist's affinities with Surrealism.
MACRO presents Mechanical Kurds, a solo exhibition by Hito Steyerl curated by Alice Labor, exploring the relationship between artificial intelligence, geopolitical conflicts, and digital labor.
First institutional exhibition in Italy of Portia Zvavahera
MACRO presents Un canto nel suo spazio, a project dedicated to poet Amelia Rosselli, exploring the spatial and sonic dimensions of her poetry through an immersive audio installation.
First solo exhibition in Rome by artist duo Dorota Gawęda and Eglė Kulbokaitė, exploring the boundaries between body, technology and environment through painting, sculpture, performance and installation.
Kazuko Miyamoto presents new String Works and unseen pieces at Galleria Alessandra Bonomo, following major institutional shows across Europe.
First solo exhibition in Italy by Spanish artist Rubén Rodrigo, exploring painting as a threshold between internal and external vision through 12 works of guided improvisation.
An exhibition from the Silvia Fiorucci Collection presented by Francis Offman, featuring over 60 artists across generations with radical attention to material, gesture, and the everyday.
Sergio Lombardo presents V-RAN MCCT Stochastic Compositions—algorithmic floor patterns exploring aesthetic engineering through mathematical beauty.
Barbara Bonfilio's paintings and drawings explore the inseparable connection between human beings and their environment, where body and nature become reflections of the soul.
Exhibition dedicated to Giorgio De Chirico's work
Bernini e i Barberini at Palazzo Barberini explores the sculptor's creative partnership with Rome's most powerful 17th-century patrons.
Matèria presents Sogno di Pietra (Dream of Stone), a solo exhibition by Stefano Canto, opening 28 February 2026 at the gallery’s San Lorenzo space in Rome.
Museo Carlo Bilotti presents Lanterne magiche, a photography exhibition from the Valerio De Paolis collection tracing the medium's evolution from documentary to today
It was 28 October 1925 when what is now known as the Galleria d’Arte Moderna first opened its doors in the halls of Palazzo Caffarelli on the Capitoline Hill.
American conceptual artist Alex Da Corte presents a fresh curatorial interpretation of MAXXI's permanent collection, bringing together works spanning painting, sculpture, photography, and architecture. Da Corte's organic arrangement explores the classical elements of water, wind, fire, and earth within Zaha Hadid's architectural framework. The exhibition features works by Francis Alÿs, Alighiero Boetti, Luigi Ghirri, Marisa Merz, Giuseppe Penone, Michelangelo Pistoletto, Kara Walker, and others, creating a journey through transformation, growth, and decay toward what Da Corte describes as 'an inevitable invisible ether.'