Your guide to galleries, museums, and foundations — updated continuously
First major Italian retrospective of Miriam Cahn at MACRO, featuring 100+ works exploring the female body, war, and eroticism as resistance.
Winners of the 3rd Paul Thorel Prize explore imperfection as resistance to computational perfection through artisanal techniques and organic materials.
New exhibition featuring monumental bronze sculpture, paintings, and works on paper
MACRO presents Un canto nel suo spazio (A Song in Its Space), a project dedicated to poet Amelia Rosselli curated by Andrea Cortellessa, exploring the spatial and sonic dimensions
Portia Zvavahera's first institutional exhibition in Italy, featuring site-specific installation and new paintings from her Rome residency.
MACRO presents Mechanical Kurds, a solo exhibition by Hito Steyerl curated by Alice Labor, exploring the relationship between artificial intelligence, geopolitical conflicts, and d
An exhibition from the Silvia Fiorucci Collection presented by Francis Offman, featuring over 60 artists across generations with radical attention to material, gesture, and the eve
Museo Carlo Bilotti presents Lanterne magiche, a photography exhibition from the Valerio De Paolis collection tracing the medium's evolution from documentary to today
It was 28 October 1925 when what is now known as the Galleria d’Arte Moderna first opened its doors in the halls of Palazzo Caffarelli on the Capitoline Hill.
American conceptual artist Alex Da Corte presents a fresh curatorial interpretation of MAXXI's permanent collection, bringing together works spanning painting, sculpture, photography, and architecture. Da Corte's organic arrangement explores the classical elements of water, wind, fire, and earth within Zaha Hadid's architectural framework. The exhibition features works by Francis Alÿs, Alighiero Boetti, Luigi Ghirri, Marisa Merz, Giuseppe Penone, Michelangelo Pistoletto, Kara Walker, and others, creating a journey through transformation, growth, and decay toward what Da Corte describes as 'an inevitable invisible ether.'